How to Deliver Your Grade to the Editor from DaVinci Resolve

Learn to colour correct like a pro with our free course DaVinci Resolve Colour Grading for Beginners. You’ll learn how to use each important tool in Resolve, including how to set up your project using scene cut detection, how to get clean skin tones with noise reduction and how to create cinematic looks.

In this lesson I’ll show you the best way to deliver your finished DaVinci Resolve colour grade to your editor.

How to Deliver Your Grade to the Editor from DaVinci Resolve

You’ve finished your colour grade, and now you need to send it to your editor, so let’s take a look at the best way to do that.

The Deliver Tab

Choose a Codec

deliver tabdeliver tabdeliver tab

You’ll need to be in the Deliver tab, bottom right, and you’ll see a screen very similar to the one you’ve been editing on, but with extra options at the side.

This project was sent in ProRes 444 because this was shot in 10 bit. If this was shot in 8 bit, we could have done 422, that’s totally fine. Sending it back to the editor I generally send it to them the same way that they provided it to me. You can probably get away with sending it back at 422 here, just to make the clip a little smaller, but for now, we’ll do it at 444.

pro res 444pro res 444pro res 444

Choose ProRes Master and then drop down Format to select 444, and then everything else will be fine: you’ve got 25 frames per second, and 1920 by 1080. You can choose Use Constant Bit Rate and you’ll get a chunkier file but also a more consistent render for the editor to be able to take it back into Premiere, drop it into their timeline, and then re render it out. The higher the quality going back to them, the better.

FREE

29 Minutes

DaVinci Resolve 18 Tutorial | Beginners’ Quick-Start Guide

Need to get started with DaVinci Resolve but don’t know where to dive in? No stress; everyone has to start somewhere. That’s why Tom created the quick start guide for beginners! 

    Save Your File

    file destinationfile destinationfile destination

    Once you’re happy, you can hit Browse to choose where to save your file.

    Add to Render Queue

    add to render queueadd to render queueadd to render queue

    Next, in the bottom left select Add to Render Queue and you’ll see it appear in the top right. When you’re ready, you can choose Render All to set off whatever is in the queue. How quickly your project renders will depend on how large it is.

    And that’s it, we’ve done our colour grade! If you’ve watched along, or if you’ve clicked along and played with your own footage while you’ve been watching this, you’re now a colourist.


    This content originally appeared on Envato Tuts+ Tutorials and was authored by Tom Graham

    Learn to colour correct like a pro with our free course DaVinci Resolve Colour Grading for Beginners. You'll learn how to use each important tool in Resolve, including how to set up your project using scene cut detection, how to get clean skin tones with noise reduction and how to create cinematic looks.

    In this lesson I'll show you the best way to deliver your finished DaVinci Resolve colour grade to your editor.

    How to Deliver Your Grade to the Editor from DaVinci Resolve

    You've finished your colour grade, and now you need to send it to your editor, so let's take a look at the best way to do that.

    The Deliver Tab

    Choose a Codec

    deliver tabdeliver tabdeliver tab

    You'll need to be in the Deliver tab, bottom right, and you'll see a screen very similar to the one you've been editing on, but with extra options at the side.

    This project was sent in ProRes 444 because this was shot in 10 bit. If this was shot in 8 bit, we could have done 422, that's totally fine. Sending it back to the editor I generally send it to them the same way that they provided it to me. You can probably get away with sending it back at 422 here, just to make the clip a little smaller, but for now, we'll do it at 444.

    pro res 444pro res 444pro res 444

    Choose ProRes Master and then drop down Format to select 444, and then everything else will be fine: you've got 25 frames per second, and 1920 by 1080. You can choose Use Constant Bit Rate and you'll get a chunkier file but also a more consistent render for the editor to be able to take it back into Premiere, drop it into their timeline, and then re render it out. The higher the quality going back to them, the better.

    FREE
    29 Minutes

    DaVinci Resolve 18 Tutorial | Beginners' Quick-Start Guide

    Need to get started with DaVinci Resolve but don't know where to dive in? No stress; everyone has to start somewhere. That's why Tom created the quick start guide for beginners! 

      Save Your File

      file destinationfile destinationfile destination

      Once you're happy, you can hit Browse to choose where to save your file.

      Add to Render Queue

      add to render queueadd to render queueadd to render queue

      Next, in the bottom left select Add to Render Queue and you'll see it appear in the top right. When you're ready, you can choose Render All to set off whatever is in the queue. How quickly your project renders will depend on how large it is.

      And that's it, we've done our colour grade! If you've watched along, or if you've clicked along and played with your own footage while you've been watching this, you're now a colourist.


      This content originally appeared on Envato Tuts+ Tutorials and was authored by Tom Graham


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